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Tripartite

Quantification. "This inspiring treasury features 66 full-color illustrations by the creator of the Secrets In Plain Sight video series. Onstott's technical mastery of both vector and raster software combined with his skill in pattern recognition comes across in the many educational and thought-provoking conceptual illustrations included here. The images have a mysterious beauty that invites contemplation, philosophical inquiry and meditation; they will inspire you to perceive parallels between the universe outside of you and the universe within. A third of the illustrations feature the metrological wonders encoded in the Great Pyramid of Giza. You will enjoy Onstott's discoveries connecting everything from the cell to the human body, ancient temples, sacred sites, modern architecture, the Nile, art, math, physics, sport, religion, non-duality, the Sun and the planets, the star Sirius and the distance to the center of our galaxy."--Press release The divine proportion. "An astonishing full-color view of the proportion that simultaneously patterns structures as small as DNA and as large as galaxies. This collection of illustrations will take you on an epic journey exploring the golden ratio in mathematics, geometry, music, philosophy, psychology, art, archaeology, architecture, molecular biology, plant morphology, human physiology, geography, physics and astronomy."--Press release Secrets in plain sight : Leonardo Da Vinci. "Discovering precise encoding in the majority of Leonardo's art, the author's insightful analysis reveals the existence of a cosmic ordering principle - or secret science - in Da Vinci's art."People resonate powerfully with Da Vinci's art because our DNA, the human body, and even the earth-moon system share the same mathematical ordering principle," says Onstott, who adds that Da Vinci encoded his most important secrets in plain sight, where they have been overlooked for centuries. Leonardo's secret pointing with the divine proportion's divisions to physical and illuminated third-eyes suggests he saw the divine not just in a transcendent heaven, but immanently in the human body and in the world. Da Vinci's paintings and drawings, although few in number, are the most visited, most written about and most valuable art in the world. Onstott explores whether this mass appeal could be due to Da Vinci's practice of encoding a secret science, or self-similar proportion, into his works, and concludes that the secret science works because it is part of us, no matter whether we are conscious of it or not."--Press release