Self-portrait, ceaselessly into the past
de Ross Macdonald · Publicada por primera vez en 1981
Macdonald fans and others interested in detective fiction will find this worthwhile browsing. In a number of the essays Macdonald, a.k.a. Kenneth Millar, sketches in his basic life history: his Scots-Canadian newspapering ancestors; meeting his wife Margaret; and, above all, his absent, loved/hated father--the source of the Oedipal trauma that led to his "breakthrough" novel, The Galton Case. Three essays are devoted to one of Macdonald's lifelong passions, ecologic conservation. The rest of the book is devoted to writers and writing. The topics addressed include: the history of the American crime novel starting with Poe, the function crime fiction fulfills to society, the autobiographical elements in his Lew Archer character, an analysis of Hammett's Sam Spade as he appears in the Maltese Falcon and the critical importance of narrative unity in crime novels. He defends the literary place of the detective novel, declaring his longtime passion for the Gothic tradition. He pays homage to Hammett, Chandler, Greene, Kenneth Fearing, and others.
