Reading Hardy's landscapes

de Irwin, Michael · Publicada por primera vez en 1999

"This book proposes that a Hardy novel should be read very much as a Constable painting is 'read' - the landscape as significant as the figures who traverse it, the background as important as the story. It analyses the recurring emphases and implications in Hardy's innumerable descriptions of birds, plants, insects, light, weather, sound, movement. The ephemeral lives of his human protagonists are seen to be half dissolved in the ceaseless patterns of motion, change and dissolution in the teeming world they inhabit. Hardy emerges as no mere story-teller, in the nineteenth-century tradition, but as a poet and a modernist who dramatizes a vision, a way of seeing and understanding the world."--BOOK JACKET.