Matthew Barney

de Gunnar B. Kvaran, Therese Möllenhoff

Matthew Barney is arguably the artist of the 1990s who most profoundly changed the language of sculpture. He achieved this through the introduction of new materials, from petroleum jelly to gym equipment, the conflation of media and narrative structures, and his enigmatic biological fictions that are at once hilarious and monstrous. For Barney, sculpture is an emanation of places, performances, films, photos, drawings and ephemera, in which he is typically the story's protagonist. The title of the exhibition, Bildungsroman, makes use of the literary term for a coming-of-age novel, thus reflecting how the constellation of works can be read as a journey in the shaping of Barney's artistic practice. Exhibition: Astrup Fearnley Museet, Oslo, Norway (26.02.- 15.05.2016).