Yoruba Forms in Twentieth Century American Art (Samuel and Althea Stroum Book)
Edición de la obra The shattered gourd
| Autor | Moyosore B. Okediji, Moyo Okediji |
|---|---|
| Editorial | University of Washington Press |
| Fecha de publicación | June 2003 |
| Idioma | inglés |
| Páginas | 208 |
| Formato | Hardcover |
| ISBN-13 | 9780295981505 |
| ISBN-10 | 0295981504 |
| OCLC | 50958887 |
| LCCN | 2002040928 |
| Número de Cutter | O41s |
|---|
"The Shattered Gourd uses the lens of visual art to examine connections between the United States and the Yoruba region of western Nigeria." "In this book - the first to treat Yoruba forms while transcending the conventional emphasis on them as folk art, focusing instead on the high art tradition - Moyo Okediji uses nearly four dozen works to illustrate a broad thematic treatment combined with a detailed approach to individual African and African American artists. Incorporating works by such artists as Meta Warrick Fuller, Hale Woodruff, Aaron Douglas, Elizabeth Catlett, Ademola Olugebefola, Paul Keene, Jeff Donaldson, Howardena Pindell, Muneer Bahauddeen, Michelle Turner, Michael Harris, Winnie Owens-Hart, and John Biggers, the author invites the reader to envision what he describes as "the immense possibilities of the future as the twenty-first century embraces the twentieth in a primal dance of the diasporas," a future that heralds the advent of the global as a distinct movement in art, beyond postmodernism."--Jacket.