The scenic art

notes on acting & the drama: 1872-1901

Edición de la obra The scenic art

If this is, indeed, the book I read as a young actor back in the early 1960s, I remember it as a number of fascinating theatre reviews of plays and famous actors and actresses of the late 19th century. Fanny Kemble, ( he loved her ) Irving and Booth in Othello, alternating the roles of Othello and Iago ( a contrast in technique ) Sarah Bernhardt ( he hated her ) Elenora Duse ( He worshipped her ) and Thomaso Salvini ( the greatest of artists ) are included along with others I can no longer remember. The insights he had struck me as true. I came away feeling he was committed to the highest accomplishment that the drama and acting could attain, and despised cheap theatricality and the fireworks of personality.

Ver todas las ediciones de esta obra →