The practice of perspective

or, an easy method of representing natural objects according to the rules of art. Applied and exemplified in all the variety of cases; ... The whole illustrated with one hundred and fifty copper-plates. Written in French by a Jesuit of Paris; since translated into German, by Ch. Rembold; and into English, by Rob. Pricke: and now, a second time, into the same language, by E. Chambers.

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