Set to Sea

Edición de la obra Set to Sea

From Booklist *Starred Review* Who knew that the big galoot who can’t pay his tab and gets kicked out of a tavern is a poet at heart, gazing longingly into library windows on dark, abandoned streets? Certainly not the scurvy seadogs who kidnap him and send him to sea as a replacement for their lost crew, where he learns that the waters are possessed of a much different poetry than he ever suspected. With elegant simplicity, this comic-book fable unfurls the tale of a life cast on an unexpected course and the melancholy wisdom accrued upon the waves. First-time graphic-novelist Weing has produced a beautiful gem here, with minimal dialogue, one jolting battle scene, and each small page owned by a single panel filled with art whose figures have a comfortable roundness dredged up from the cartoon landscapes of our childhood unconscious, even as the intensely crosshatched shadings suggest the darkness that sometimes traces the edges of our lives. A loving and very sophisticated homage to E. C. Segar’s Popeye, it would make a fine tonal companion for Scott Morse’s Southpaw (2003) or S. A. Harkham’s Poor Sailor (2005). Weing’s debut is playful, atmospheric, dark, wistful, and wise. Grades 8-12. --Jesse Karp Review At its core, this book is imbued with appropriately romantic notions of what living one’s life truly means. ... Weing is something of a classicist in his artistic approach, from the E. C. Segar influence he clearly wears on his anchored sleeve to his garish use of hatching—but the style suits the subject matter quite well. (Brian Heater - The Daily Cross Hatch ) With hints of The Odyssey, Moby Dick, Popeye and Treasure Island, Weing has created a modern classic in the pirate genre. (School Library Journal ) Set to Sea is the kind of comic that you give to people you love with a knowing look that says 'read this, you'll thank me later.' The kind of book that is not exclusively reserved for aficionados of the comics art form. The kind of work that, by virtue of its poetry, leaves the reader in an emotional state once he's read the final page, and that simply demands to be flipped through again immediately so that the reader might breathe in this adventure's perfume for a little longer. (Thierry Lemaire, Actua BD (translated from French) )

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