the myths & meanings of tramp art
Edición de la obra No idle hands
| Autor | Laura Addison, Leslie Umberger, Eric Zafran |
|---|---|
| Editorial | Museum of New Mexico Press |
| Fecha de publicación | 2017 |
| Idioma | inglés |
| Páginas | 263 |
| ISBN-13 | 9780890136225 |
| ISBN-10 | 089013622X |
| OCLC | 960762412 |
| LCCN | 2016047138 |
| Número de Cutter |
|---|
A225n |
Tramp art describes a particular type of wood carving practiced in the United States and Europe between the 1880s and 1940s in which discarded cigar boxes and fruit crates were notched and layered to make a variety of domestic objects. These were primarily boxes and frames in addition to small private altars, crosses, wall pockets, clock cases, plant stands, and even furniture. Whittling objects such as chains and ball-in-cage whimsies was a common hobby -- including among rail-riding hobos -- and for many years tramp art was believed to have been made by these itinerants as well. Although this notion has been widely dispelled, the name has stuck. In recent years efforts have been made to identify makers by name and reveal their stories. While some examples of tramp art may be attributed to itinerants, this carving style was more commonly a practice of working-class men creating functional objects for their households. The book presents over one hundred and fifty tramp art objects collected mainly from the United States and also including pieces from France, Germany, Switzerland, Scandinavia, Canada, Mexico, and Brazil -- demonstrating the far reach this art form has had. 00Exhibition: Museum of International Folk Art, Santa Fe, USA (12.03.2017-16.09.2018).