Michael Craig-Martin
fifth Triennale India, New Delhi, 15 March-7 April 1982.
Edición de la obra Michael Craig-Martin
| Autor | Michael Craig-Martin |
|---|---|
| Editorial | Fine Arts Department, the British Council |
| Fecha de publicación | 1982 |
| Lugar | London |
| Idioma | inglés |
| Páginas | 16 |
| ISBN-10 | 0901618721 |
| OCLC | 16591719 |
| Número de Cutter | C886m |
This exhibition by Michael Craig-Martin (b. Dublin, 1941) brings together works from 1981 to 2015, including his era-defining representations of once familiar yet obsolete technology; laptops, games consoles, black-and-white televisions and incandescent lightbulbs that highlight the increasing transience of technological innovation. The exhibition also features new wallpaper that has been conceived especially for the exhibition. From the earliest work in the show, a wall drawing first produced in 1981 (the same year that the first personal computer was made available), to a painting from 2014 that depicts the minimal lines of an iPhone, Craig-Martin's work has recorded the profound impact that electronic technology has had on the way we consume and communicate. The exhibition explores the seismic shift from analogue processes to digital technologies that informed the production and distribution of new kinds of objects in the late 20th and early 21st centuries. Exhibition: Serpentine Gallery, London, UK (25.11.2015.14.02.2016).