The book focuses on those productions of the artist that are more linked in the social boiling and the resistance of the workers, and is structured by a first part composed of three texts on the work of Gabriela Golder (Buenos Aires, Argentina, 1971), and a second dedicated to images. In the synthesis and transition section between the theoretical and the visual, we find two conceptual maps -made by the artist in dialogue with Mariana Lombard-; to the left a diagram that traces movements and dialogues between the works presented in the book, and to the right a cartography of the concepts that are spun in the production of Golder.