L'Internationale

post-war avant-gardes between 1957 and 1986

Edición de la obra L'Internationale

Contents: Museum of Parallel Narratives, Museu d'Art Contemporani de Barcelona (MACBA), Barcelona (2011) Museum of Affects, Moderna galerija, Ljubljana (2011 / 12) Prologue: L'Internationale Writing History Without a Prior Canon Histories and Their Different Narrators Approaching Art through Ensembles An Exercise in Affects What if the Universe Started Here and Elsewhere Age of Change Connect Whom? Connect What? Why Connect? The World System after 1945 Recycling the R-waste (R is for Revolution) Art as Mousetrap: The Case of Laibach Should Ilya Kabakov Be Awakened? Forgotten in the Folds of History Is Spain Really Different? KwieKulik / Form is a Fact of Society J#lius Koller / Dialectics of Self-Identification Gorgona / Beyond Aesthetic Reality OHO / A n Experimental Microcosm on the Edge of East and West Jef Geys and Marinus Boezem / Taking Care of the Frame Paul De Vree and Toon Tersas / Hysteria Makes History Grup de Treball and V#deo-Nou / Two Collective Projects in 1970s Spain Retroavantgarde "A HugeAmusement-Park Exhibition" / Vision in Motion (1959) Overcoming Alienation / New Tendencies (1961#1973) The Furor of the Festival / Los Encuentros de Pamplona (1972) The Avant-Garde, Sots-Art and the Bulldozer Exhibition of 1974 Works and Words (1979) in the Shadow of I AM (1978) A European Institutional Effort / Art in Europe after '68 (1980) and Chambres d'Amis (1986) Southern#Eastern Contact Zones From the International to the Cosmopolitan "Global" Art Spirits of Internationalism, Van Abbemuseum, Eindhoven / Museum van Hedendaagse Kunst Antwerpen, Antwerpen.