This is the first in-depth publication to investigate the practice of pianist, composer and visual artist Jason Moran, whose work bridges the fields of visual arts and performing arts. As a 'torchbearer for jazz,' Moran challenges traditional forms of musical composition; his experimental works merge object and sound, underscoring the theatricality of both mediums. Moran, who often collaborates with prominent visual artists such Joan Jonas, Stan Douglas, Lorna Simpson and Glenn Ligon, pushes beyond the conventions of sculpture and the concert stage while continuing to embrace the essential tenets of jazz and improvisation.
