Glass for a beautiful home

Edición de la obra Glass for a beautiful home

The Arts and Crafts Movement sought to fight industrialization but, as *Glass for a Beautiful Home* reveals, technology does not have to be feared as a monster that devours all artistic skills. Technology can add new dimensions to our creative lives. Because of modern innovations, the ancient art of the stained glass artist is no longer confined to the expert glazier in the glass studio. Now, the individual craftsman has the opportunity to practise this art in the home workshop. **Glass for a Beautiful Home** gives detailed instructions on how to construct your own stained glass with project courses in making simple light catchers and mobiles, panels for windows and doors and lampshades. There is also a practical chapter on renovation and restoration. These technical lessons in the craft of stained glass are accompanied by notes towards a deeper appreciation of the eccentric, subtle effects of decorative, coloured glass and the artistic aims of the glazier. The modern role of stained glass in twentieth century architecture is analyzed and the authors combine historical approaches with contemporary developments into concepts which will improve and enhance your own home. Matthew Lloyd became acquainted with stained glass in 1979 when he was introduced to the craft by his Canadian cousin. Since that time he has turned a hobby into a successful business, running a studio in North London specializing in design, fabrication and restorationof leaded glass for the home. He is constantly developing his craft and is currently exploring the techniques involved with surface decoration, painting, etching and bevelling. His main aim has always been to combine the finest design with the finest materials and craft standards to ensure each commission is a unique work of art. Janet Blackmore graduated from Swansea College of Art in1972 with a diploma and a City and Guilds Certificate in Achitectural Glass Design. Since emigrating to Canada 12 years ago she has been employed by Celtic Glass in Toronto, working for the commercial sector through commissions from architects as well as for the domestic market. She also runs a successful teaching workshop for adults and, forthe past 4 years, has been working with children aged between 10 and 12, introducing them to this unique art form. [From the flaps of the jacket.]