Lola Lola, Dirty Singles, and the Men Who Shot Them
Edición de la obra Cinematography in the Weimar Republic
| Autor | Paul Matthew St. Pierre |
|---|---|
| Editorial | Fairleigh Dickinson University Press |
| Fecha de publicación | Aug 15, 2016 |
| Idioma | inglés |
| Páginas | 286 |
| Formato | hardcover |
| ISBN-13 | 9781611479447 |
| ISBN-10 | 1611479444 |
| OCLC | 949986802 |
| LCCN | 2016021135 |
| Número de Cutter |
P622c |
Cinematography in the Weimar Republic' argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary. Germany's enduring contribution to film history was the collaborative model of filmemacherin, with directors and cinematographers working together as equal partners.