Albert Renger-Patzsch, together with August Sander and Karl Blossfeldt, was one of the undisputed pioneers of twentieth-century German photography. Indeed, what Sander achieved in portrait photography and Blossfeldt in plant photography, Renger-Patzsch achieved in his renderings of objects and the material world.
As a protagonist of the movement that came to be known as Neue Sachlicheit (New Objectivity), he wanted to record, phenomenologically as it were, the exact appearance of objects - their form, material, and surface. Thus he rejected any kind of artistic claim for himself. Believing that the photographer should strive to capture the "essence of the object," he called for documentation rather than art.
This book contains not only the canonical "Icons of New Objectivity" series - the famous still lifes of Jena glassware, rows of flatirons at a shoe factory, industrial objects, and more - but also Renger-Patzsch's lesser-known but no less engaging photographs of landscapes, architecture, urban scenes, and studies of trees and stones. The book also contains a biography, a bibliography, critical commentary by Thomas Janzen, and selected writings of Renger-Patzsch appearing in English for the first time.